Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

'Barbra Streisand' Music Video Sensation!


Believe it or not, this video (by Duck Sauce) has been viewed nearly 61 million times on Facebook.
It seems as if most people have seen it at least once. Anyway, here it is again. And even though I'm not a huge Streisand fan myself, I find something captivating, spirited, funny and life-affirming about this video.
It's simply impossible to resist!
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Catch 'Catch Me' Before It Disappears!

Maybe it was because we loved the movie on which it is based.
Maybe it was that we found ourselves mesmerized by the electrifying Tony Award-winning performance of Norbert Leo Butz.
Maybe it was because we finally got around to discovering one of the brightest, most talented, most appealing new leading men on Broadway -- Aaron Tveit.
Or maybe it was just the way Kerry Butler belts out a song or the mere presence of the great Tom Wopat.
For whatever reason, we loved the new Broadway musical Catch Me If You Can and we urge you to catch it on Broadway (if you can) before it closes on Sunday, September 4. Because, if you don't catch this show you'll have to wait till 2012 or 2013 to see a traveling production when the whole thing goes on national tour.
We had heard so much about "Catch Me" and we suspected that the show might be a lot better than some of the critics said it was.
We were right.
If you saw the 2002 movie (based on a true story) starring Leonardo DiCaprio as Frank Abingale, Jr. you know that Catch Me If You Can is a fascinating tale. So, the musical automatically benefits from a good, strong book -- and that's rare for a musical.
Plus, the adaptation for the stage is written by Terrence McNally and the words and music are by Mark Shaiman and Scott Wittman. This is a Tony-winning dream time that has given us several other blockbuster hits.
But this this show ain't no happy-tooting lark. This is a dark story -- a story of deceit, abandonment, crime and loneliness. Which makes it all the more incredible that the creative team and the fine company of actors and musicians on stage have still managed to send the show soaring with up-to-the-minute humor, retro sixties trendiness and a huge dollop of hope -- all based on fact.
Criticisms? Well, the show is way too loud at times. But most current Broadway shows are over-amplified these days and tunes (even ballads) are frequently oversold. And sometimes the breathlessness can't keep up with the sheer volume and weight of this stranger than fiction story. Plus, I wondered if the show might have been improved without the device of the full orchestra on stage. It seemed to cramp the production values at times.
But no shortcomings warranted the less-than-fair deal that this show got from some critics and the Broadway cognoscenti. Surely it was worthy of more than the four Tony nominations (and one Tony) that it received.
In many ways, this type of entertainment is (or should be) what Broadway is all about.
Catchy and notable songs include: Live In Living Color; Butler's magnificent Fly, Fly Away; Little Boy, Be A Man; the darkly humorous Christmas Is My Favorite Time Of Year; Seven Wonders and Norbert's show-stopping Don't Break The Rules.*
And we need to mention that from Tveit and Butz and Wopat and Butler right down to every chorus member the cast is wonderful. This too: Miraculously, the second act is even stronger than the first.
Catch it. Hurry! Or hope to see it on the road.
The touring company is set to open in Providence in fall, 2012.
*I've already purchased the album.

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Today's Song: I Feel The Earth Move!

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Video: Indiana State Fair Tragedy; Four Dead


A stage collapse in high winds at the Indiana State Fair has left four dead and some fair goers possibly still trapped under the collapse.
The audience was waiting for a performance by the country group Sugarland when high winds apparently blew the stage forward onto the crowd.
Here's an excerpt of the breaking story from wire services:
Details on the conditions of those injured were not immediately known. Indiana State Police told The Associated Press they were still working to gather information and did not have anything to release yet.
Emergency crews were called to the scene. Workers were setting up a command center to tend to those who were injured.
Thousands of concert-goers were being evacuated to a nearby building because of high winds when the rigging for the stage fell onto the track where some were seated.
Click here for more.



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Philly's Mann Music Center Robbed

Fox 29 in Philly is reporting that armed robbers have hit the Mann Music Center in Fairmount Park. The Mann is the city's premier summer music venue and plays host to the world's finest classical musicians as well as the Philadelphia Orchestra and more mainstream music attractions.
Fox repoorts that two suspects held up the Mann Center today, and may have made off with a large amount of cash -- as much as $100,000.
Philadelphia police have confirmed the incident to Fox 29 at 51st & Parkside Aves.
In recent years there have been complaints about insufficient police protection at the Mann and some patrons have complained about a lack of well-lit parking and assistance in exiting the the Mann grounds via automobile after dark.
This summer, center-city Philadelphia has also been plagued by flash mob attacks.
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Penn, Teller, Vegas And 'Vegas, The Show'

For us Las Vegas always means live entertainment with real, live, bigger-than-life personalities, live music, showmanship and a bit of magic (or the newer term, illusion) thrown in just for good measure.
So the first show we decided to see here this time around was Penn & Teller at The Rio.
We like to feel that we sort of discovered Penn & Teller. We first saw them decades ago when they performed in a VERY small venue in San Francisco. They were part of a group called The Asparagus Valley Cultural Society.
The group must have disbanded (or whatever) because Penn & Teller emerged as themselves and the second time around we saw them perform at the McCarter Theater in Princeton.Their tricks and illusions became bigger, sometimes scarier and more complex and they became a hotter and hotter ticket. Then, they achieved near superstar status via television (most notably on the Showtime network) and their irreverent approach to the "magic" of magic.
When our good friend Nessa Forman was inducted into the Philadelphia Public Relations Hall of Fame we actually got to meet Teller since he came to perform at Nessa's induction luncheon.
Now, Penn & Teller have their own big, beautiful theater at The Rio and their show is a non-stop delight -- funny and astounding. And, each night they change the order of things and add new and different elements. Plus, there's audience participation so, be forewarned.
The next show that we decided to see was 'Vegas, The Show' at the Saxe Theater at Planet Hollywood's Miracle Mile.
If you're looking for pure, Las Vegas style entertainment with songs, dances, great costumes, high production values, comedy, impressions and even some acrobatics then this show's for you.
Vegas, The Show recreates the greatest moments in Vegas' history and tells the story of the most influential and exciting entertainers who made Vegas...Vegas.
From Vegas icons like The Rat Pack and Elvis to today's hottest stars the young and energetic cast of more than 40 performers, a 12-piece big band orchestra and beautiful showgirls make this one of the biggest stage productions on the Strip in almost 20 years.
The performance takes you back in time to experience true Las Vegas entertainment the way it was meant to be. You will relive the best moments of the most dynamic singers, dancers, and unforgettable personalities to ever step foot on the world-famous Strip.
This production takes the stage at the new $34 million Saxe Theater a 22,000 square foot facility that features premium stadium seating. 
The Saxe Theater stage incorporates state-of-the-art lighting, sound, fiber optic video curtains and other cutting-edge theatrical equipment so the audience won't miss a beat.
Though Vegas, The Show is tinged with a bit of nostalgia, it's a lively, irrepressible, fast-paced presentation that never misses a beat.
And you don't have to remember the "old" vegas to enjoy the show. We sat next to a newly-married couple in the early 20's and the loved every minute of this first-class production.
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Amy Winehouse: The Truth Behind Her Descent

Talented, yes.
But Amy Winehouse was a very troubled person.
And much of the trouble was played out in public. It was not a pretty sight.

Winehouse's battles with substance abuse were the subject of much media attention.

In various interviews, she admitted to having problems with self-harm, depression and eating disorders.

In 2005, she went through a period of drinking, heavy drug use, violent mood swings and weight loss. People who saw her during the end of that year and early 2006 reported a brief rebound that coincided with the writing of Back to Black.

Her family felt that the mid-2006 death of her grandmother, who was a stabilizing influence, set her off into addiction.

In August 2007, Winehouse cancelled a number of shows in England and Europe, citing exhaustion and ill health. She was hospitalized during this period for what was reported to be an overdose of heroin, ecstasy, cocaine, ketamine and alcohol. Winehouse told a magazine that the drugs were to blame for her hospitalization and that "I really thought that it was over for me then." Soon after, Winehouse's father commented that when he had made public statements regarding her problems, he was using the media because it seemed the only way to get through to her.

In December, 2007, images of the singer outside her home in the early morning hours, barefoot and wearing only a bra and jeans, appeared on the internet and in tabloid newspapers. In a statement, her spokesman blamed paparazzi harassment for the incident.

The spokesman reported that the singer was in a physician-supervised program and was channeling her difficulties by writing a lot of music. A British tabloid posted a video of a woman, alleged to be Winehouse, apparently smoking crack cocaine and speaking of having taken ecstasy and valium.

Winehouse's father moved in with her, and Island Records, her record label, announced the abandonment of plans for an American promotion campaign on her behalf.

In late January 2008, Winehouse reportedly entered a rehabilitation facility for a two-week treatment program.

In January 2008, the aforementioned video was passed on to the London police who questioned her in February. But no charges were brought. In March 2008, Winehouse's spokesman said she was "doing well" and denied a published report in a British tabloid that consideration was being given to having her return to rehab. Her record company reportedly believed that her recovery remained fragile. By late April 2008, her erratic behavior, including an allegation of assault, caused fear that her drug rehabilitation efforts had been unsuccessful. This led to efforts by Winehouse's father and manager to seek assistance in having her committed. Her disheveled appearance during and after a scheduled club night in September sparked new rumors of a relapse.

Photographers were quoted as saying she appeared to have cuts on her legs and arms.

In an interview released in June 2009 Winehouse's father said the singer was in a drug replacement program. He said she was gradually recovering but that heavy drinking was causing "slight backward steps". A documentary shot early in 2009 shows Winehouse apparently intoxicated according to a newspaper report. Pictures published by a magazine in July 2009 upon her return to the United Kingdom from her extended stay in St. Lucia appeared to show that Winehouse had gained weight and that her complexion was improved.

In an October 2010 interview Winehouse said she had been drug free for three years saying "I literally woke up one day and was like, ‘I don’t want to do this any more.’”

But problems persisted.

Winehouse entered the Priory Clinic in May of this year where she stayed for one week.

She also had her share of legal problems.
In 2007, Winehouse and her then-husband were arrested in Norway for possession of seven grams of marijuana.

In April 2008, Winehouse was cautioned after she admitted to police she slapped a man in the face, a "common assault" offence. She voluntarily turned herself in and was held overnight. Police said, at her arrival she was "in no fit state" to be interviewed.

Winehouse was arrested in May 2008 on suspicion of possessing drugs after a video of her apparently smoking crack cocaine was passed to the police in but she was released on bail a few hours later because they could not confirm, from the video, what she was smoking.

And there were many other allegations and charges in the years that followed.

In March 2009, Winehouse was arrested and charged with common assault following a claim by a woman that Winehouse hit her in the eye at a September 2008 Prince's Trust charity ball.

At the same time, she was reported to have spat at the English socialite Pippa Middleton and to have headbutted a photographer. Winehouse's spokesperson announced the singer cancelled a scheduled United States appearance in "light of current legal issues".

In December 2009, Winehouse was arrested again on charges of common assault, plus another charge of public order offense Winehouse assaulted the front-of-house manager of the Milton Keynes Theater after he asked her to move from her seat.

On 20 January 2010, she admitted common assault and disorderly behavior. She was given a two-year conditional discharge and ordered to pay court costs and compensation to the man she attacked.
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'Gatsby' Musical (Finally) Gets Its World Premiere

UnsungMusicalsCo. Inc. (www.UnsungMusicals.org) will present the world premiere of the original score from Gatsby, The Musical at the Peter Norton Space (555 West 42nd Street) on September 30 at 7pm and 10pm as part of the 2011 New York Musical Theatre Festival.
Inspired by the F. Scott Fitzgerald novel, the unproduced musical adaptation has a book by Tony Award winner Hugh Wheeler (Sweeney Todd, A Little Night Music), music by Grammy Award nominee Lee Pockriss (Ernest in Love, “Catch a Falling Star”) and lyrics by Tony Award nominee Carolyn Leigh (Little Me, Peter Pan). UMC artistic director Ben West (How Now, Dow Jones, Platinum) will direct the concert presentation with musical direction and arrangements by Fran Minarik (Making the Boys).
The world premiere concert of Gatsby will feature the rich, jazz-infused score written for this classic roaring '20s tale of passion, decadence and desire. Song titles include “Toute Suite, Old Sport”, “Jazz Age”, “Myrtle’s Parade”, “Wish Me”, “Somewhere There’s a Party” and “The Fellow in the Yellow Duesenberg”.
Tickets for Gatsby: The Songs in Concert will go on-sale September 1. For more information, visit www.UnsungMusicals.org. Performers will be announced soon!
The musical adaptation of The Great Gatsby was announced to begin rehearsals in December 1969 toward a spring 1970 Broadway opening. However, the production was postponed and subsequent plans were made for an October-November 1970 Broadway opening following September out-of-town engagements at the Colonial Theatre in Boston and the National Theatre in Washington, DC. Budgeted at $600,000 and produced by band leader and clarinetist Artie Shaw, it was to have been directed by Gene Frankel with a set design by Robin Wagner. The musical adaptation never came to fruition. UMC’s world premiere concert is not the musical adaption of The Great Gatsby and does not include any of Mr. Wheeler’s book material.
Unsung Musicals (Ben West, Artistic Director) is a not-for-profit production company dedicated to the preservation of musical theatre through the presentation of infrequently performed works. Focusing primarily on overlooked projects from the Golden Age, both hits and substantive misses, UMC treats each property as a new musical thereby providing a unique collaboration between the artists of today and those of the past. UMC has also created a new initiative aimed at researching, assembling and restoring the material from unpublished and out-of-print musical shows: The Archival Project. www.UnsungMusicals.org
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O Beautiful, For Spacious Skies . . . .


Live in Concert with the Edmonton Symphony - 1981
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Long May It Wave - Now And Forever!


John Philip Sousa's The Stars And Stripes Forever by the New York Philharmonic, conducted by Leonard Bernstein.
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A Musical Talent Worthy Of Recognition

Did I mention how much I like Darius Rucker?
Rucker first gained fame as the lead singer and rhythym huitarist of the rock band Hootie & the Blowfish, which he founded in 1986 at the University of South Carolina along with Dean Felber, Mark Bryam and Jim "Soni" Sonefeld The band released five studio albums with him as a member, and charted six top 40 hits on the Billboard Hot 100. Rucker co-wrote the majority of the band's songs with the other three members.
But after releasing a solo R & B album Rucker signed with Capitol Nashville and re-emerged as a country singer. And he's never lookes back.
His album Learn To Live scored big time with the single Don't Think I Don't Think About In 2009 Rucker became the first African-American to win the Best New Artist Award from the Country Music Association.
Right now I'm listening to Rucker's second album, Charleston, South Carolina 1966. It's beautiful. He has wonderful voice -- superb inflection and timing. I particularly like the song Southern State of Mind. It sums up everything about  the South that's good and decent -- friendliness, honest values, a sense of place and purpose, a distinct identity.
It's fitting that we're reflecting on all this while we're here in South Carolina. To put it quite simply, the sweetness of the South is intoxicating.
Darius Rucker was born and raised in Charleston, South Carolina, where his family history goes back generations. His single mother, Carolyn, who was a nurse, raised him with his five siblings: three sisters and two brothers. According to Rucker, his father was "never around," and Rucker only saw him before church on Sundays. His father was in a gospel band called The Rolling Stones. Rucker has said that he had a "typical Southern, African-American upbringing." His family attended church every Sunday and was economically poor, and at one point, his mother, her two sisters, his grandmother and 14 children were all living in a three-bedroom home.  Even so, he says that he looks back on his childhood "with very fond memories."
Here's what Rucker said in 2008: "You see a lot of people doing a one-off, saying, 'This is my country record.' But this is a career I'm trying to build. The people that say that they don't get it, I'll let the music speak for itself. I plan to do a lot of country records."
Darius Rucker doesn't have to convince me or anyone else that he's a great singer, a genuine artist in song and a real honest-to-goodness member of the country music family. Rucker proves that talent, hard work and determination still count for something. Yes, his music does speak for itself.
But don't take my word for it. Just remember that Frank Sinatra asked Rucker to sing at his 80th birthday party. Ole Blue Eyes knew talent when he saw (and heard) it.
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Sinatra's Salacious Secrets - But Only Till 1954

It's a tome of a book.
At more than 700 pages you would think that James Kaplan's big new book on Sinatra entitled Frank, The Voice would cover the entirety of Sinatra's life.
That's what I thought.
But I didn't bother to read the book jacket very carefully. This book only covers the years from 1915 to 1954. It chronicles Sinatra's rise and fall and then his amazing comeback via his Oscar-winning performance as Maggio in From Here To Eternity. The book proves the truth of an old saying: A setback is nothing more than a setup for a comeback.
I've lived that saying -- but that's another story.
And wow, did Sinatra have to work for his comeback. Still, his then-wife, the ravishing Ava Gardner really helped him to achieve his goal.
But Frank and Ava were just too much alike -- and too combustible. True, they were very much in love and their love was passionate. Yet, it was not to be. The fights were legendary and invariably involved wandering eyes, vivid imaginations and petty jealousies. She was so beautiful and alluring to men and he was so charismatic and attractive to women that they just couldn't seem to trust one another.
The stress of being one of the most famous couples in the world also got to them.
Was Ava an alcoholic? She could through them back alongside any man, that's for sure. She could match most men one-for-one. Was Frank bipolar? Even though the term didn't exist then, his mood swings were huge. He was volcanic one moment and sullen and introspective the next. He had to take downers late at night and uppers when he finally awoke in the afternoon.
Ava once said that the problems between the two of them were not in the bedroom. Rather, she explained the problems arose "on the way to the bidet."
Indeed, they were both said to be remarkably adept sexually, if only by virtue of their endowments. And those endowments allowed them to gain a good deal of early experience in the boudoir before they even hooked up. Ava was undeniably voluptuous and Frank, though relatively short and pencil-thin, was big in just the right place.
In this book there's a story about a reporter peppering Ava backstage during one of Frank's performances at a point in his career when Frank was hard-pressed to fill the seats in even a medium-sized auditorium.
"What do you see in him, Ava?" The reporter asked. "He's just a 119-pound loser."
"Yeah," Ava answered, "but he's 19-pounds of c - - k."
That was enough to silence the reporter.
And in early 1950s America, no reporter could print such a quote.
Anyway, it wasn't until I was more than 550 pages into this book that I realized that it only covered the first portion of Sinatra's life. I have a habit of picking up a book and reading the first 20 or 30 pages and if I like it, I just keep reading. I never look to see how many pages it has and I never jump ahead or skip pages.
I've always been this way with every book I've ever read ever since I was a child.
So, I was worried for the author because I could tell that I was about three-quarters of the way (or more) through the book and Kaplan was still chronicling the events of 1952. I should have known.
I presume that Kaplan will produce another volume. I hope so. He's a damned good writer.
Oh, here's another interesting fact from the book: While she was married to Sinatra, Ava Gardner slept with director John Farrow who was then directing her in one of her films. Farrow was the father of Mia Farrow who later hooked up with Sinatra for a notorious May-December pairing. So, Sinatra eventually married the daughter of one of his wife's lovers.
Ahhh . . . . . Hollywood!
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Christie Orders Flags Lowered For Clemons

Governor Chris Christie today signed Executive Order 67, honoring and memorializing the life and contributions of Clarence “Big Man” Clemons following his passing over the weekend. On Thursday, June 23, flags will be flown at half-staff in special recognition of his contributions to the state, people, and culture of New Jersey. "Clarence Clemons represented the soul and spirit of New Jersey. His partnership with Bruce Springsteen and the rest of the E Street Band brought great pride to our state and joy to every fan of this music around the world,” said Governor Christie. “On a personal note, when I heard about the Big Man's passing on Saturday night, I was struck with an overwhelming feeling that the days of my youth were now finally over. My condolences to Clarence's family and all the members of the E Street Band.”
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A Time, A Place, A Show, A Renewal

Have you ever attended a high school or college reunion?
Did you ever re-encounter friends who you haven't seen in decades?
Have you ever journeyed back to a place that was a huge part of your life during your impressionable and formative years? Did you ever return there with the same people from that era?
And how did you feel when you saw that old flame of yours?
How have the decades treated you -- and him, or her? Was there still a spark there?
If you can relate to any of these questions or any of these experiences then you can understand the enduring allure of Stephen Sondheim's landmark 1971 Broadway musical, Follies.
Now, on its 40th anniversary, Follies will return to Broadway this summer via a big, splashy, definitive new $7.3 million production mounted by The Kennedy Center. With a cast of 42 and a 28-piece orchestra, this show is B-I-G.
Having just seen this star-studded production in Washington, all I can say is you'd better get ready to buy your tickets for the Boradway production just as soon as they go on sale for they will sell out fast.
Follies is no cozy little trip down memory lane.
And if you're looking for that ever-seductive comfort food known as nostalgia, you'd better go elsewhere. Nor should you confuse this with the Ziegfeld Follies (though there is a relationship) or the Follies Bergere.
Follies is a masterwork from a Broadway genius and it works both as classic musical entertainment and also as a provocative (and sometimes even disturbing) story. It mocks the sugar-coated mindlessness of "feel good" Broadway musicals while paying homage to the rich, contagious, toe-tapping sound of Broadway via a pastiche of songs that come at you so rapidly that they take your breath away.
So many numbers from this show are virtual standards now: I Think About You, Broadway Baby, Will I Leave You?, I'm Still Here, Beautiful Girls, Too Many Mornings. And the show is highly theatrical even though it's anchored in a story that's as real as unfulfilled dreams, obsessive love, runaway egos and the ravages of time.
Plus, the cast: Bernadette Peters, Elaine Page, Linda Lavin, Danny Burnstein, Jan Maxwell, Ron Raines and even yesterday's reigning Queen of Disco, Regine.
But I don't want to tell you about the story or too much about the various elements of the show lest it spoil your experience should you be lucky enough to see it.
The original Broadway production of Follies opened on April 4, 1971, directed by Harold Prince and Michael Bennett, and with choreography by Bennett. The musical was nominated for eleven Tony Awards and won seven. The original production, which ultimately lost money, ran for 522 performances. That would hardly be considered a "hit" by today's standards.Consider that nowadays "hit" musicals run for years, of not decades.
Though the show's Tony Awards included Best Music and Lyrics (Sondheim) and Best Director (Prince and Bennett) it did not win Best Musical. The Award that year went to the New York Shakespeare Festival Production of Two Gentlemen of Verona. Note that Follies has endured. The Two Gentleman have never been heard from again -- at least not in musical form.
Over the past 40 years Follies has enjoyed several notable revivals. Most notable were Wytheshawe, England (1985), London (1987), Millburn New Jersey's Paper Mill Playhouse (1998) and New York City Center Encores (2007).
I saw the excellent Paper Mill production and felt that would probably be the best (and closest to the original) production that I would ever see.
But now we have a spectacular new production that does justice to this great American musical.
I could write thousands of words about Follies and it's fitting to note that people have been discussing this show for years. Suffice it to say that Follies is the kind of rich, vibrant, evocative, Broadway outing that doesn't come along much anymore. And it grows more and more meaningful with age -- both its age and your age.
Whatever you do, make sure you're in the audience when Follies returns to Broadway!
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The Secret Torment Behind 'The Voice'

It's been said that his voice is heard somewhere in the world almost every moment of every day and perhaps even more often then that.
And in the digital age when sounds are bounced off satellites, his voice is also almost always somewhere out there in space.
In fact, the sound of that voice is/was so distinctive, so melodic, so genuine and so seductive that it has yet to be duplicated. His more than 1,300 recorded vocals have been termed "the soundtrack of our lives."
So, even today, when people say "The Voice" you know who they mean.
But behind Frank Sinatra's unique voice with its masterful phrasing, well-trained elocution and irresistible timing a secret torment (a deeper, darker personality) huddled in a corner: frightened, insecure, tempestuous, unpredicable.
In James Kaplan's definitive new biography of Sinatra (Frank, The Voice) the source of the singer's lifelong torment is revealed.
Frank Sinatra's entry into this world was literally turbulent.
His birth was difficult -- so difficult that his mother's life was thought to be in danger.
By the time that local midwives called a doctor over to the Sinatras' cold water flat in Hoboken the only way to bring the baby forth was to use forceps -- cold, raw, intrusive metal. The right side of the child's face and his ear were disfigured. He was placed on a table until the mother could be tended to. The midwives seemed to think the child might be dead. The life of the  mother was more important.
But someone threw cold water on the baby and he started wailing. The Voice emerged -- panicked, injured, pained, frightened and (perhaps) angry.
The mother (Dolly Sinatra) never had another child and she alternately dotted on and ridiculed her prized son. Looking at him, she may have sometimes thought: "I never want to go through that again!" On the other hand, there were surely moments when she may have felt that his mere presence must be a miracle. Polar opposite feelings.
The son alternately appreciated what the mother had gone through and blamed her for his disfigurement. He both loved and feared her and all of his relationships with women were similarly ambivalent. Tortured.
An only child, Sinatra kept to himself and remained self-conscious about the scars on his face and his mangled ear. Even after plastic surgery (years later, and only partially successful) he still covered his face with Max Factor pancake makeup every day and always insisted on being photographed from the left side.
We all know that Sinatra had beautiful blue eyes, and (as Kaplan points out) a perfectly-formed mouth and a full, sensual lower lip. Plus, there was that seemingly cocksure self-confidence that made him appear bigger than life.
But he remained insecure, tormented and (in certain situations) suprisingly vulnerable.
In some way, it was as if he was never fully formed.
But the torment fueled a restlessness that drove him to succeed, urging him ever onward. He always had something to prove. Always.
And the vulnerability (when he allowed it to show) was catnip to women.
Still, a certain frightful loneliness (perhaps a sense of abandonment) lingered throughout his life and revealed itself in numerous ways. For example, he dreaded being left along at night and insisted that others keep him company, often till daybreak.
In large part, the torment defined the man -- a talented genius, though a nonetheless complex and combustible personality and an ever-illusive public figure.
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Geeky New Gingrich Outed As Fan Of Dancing Queen

Newt Gingrich's presidential bid is off to a disastrous start.
The egotistical, one-time Boy Wonder of conservative politics has gotten off to a gaffe-prone, creaky, stumbling start.
He seems out of his element and out of his era.
Now, as if all that weren't enough, he's been outed as a Mama's Boy ('Mama Mia,' that is) and a shameless devotee of the 'Dancing Queen.'
Here are some excerpts from a story in the New York Daily News:
Newt Gingrich has been outed - as an ABBA fan.
The Republican firebrand is such a fan of the sugary Swedish songsters that his cell phone ringtone is the group's hit "Dancing Queen."
Gingrich also thinks "Mamma Mia," a movie starring Meryl Streep that features the tune, is "amazing."
"It's just fun," he said. "When they do 'Dancing Queen' in the movie, I just think it's a great sequence. I love that sequence -- the energy, the excitement."
Gingrich's secret passion for ABBA was revealed when his cell phone suddenly rang during a campaign stop in Iowa, where he has been trying to launch a presidential campaign.
"Dancing Queen," Gingrich sheepishly admitted, is his ringtone.
"My wife warned me this would happen," he said, referring to third wife, Calista.
Click here to read more.
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The 9/11 Great Escape As Celebrity Road Trip

Did three of the world's biggest stars take a post-9/11 road trip into the heart of America?
Were they really cooped up in a hired car together for 500 miles and did they really stop at every Burger King and KFC along the way on an endless junk food binge?
Was New Jersey really their first stop?
And was Ohio their final destination?
It's a story that seems just incredible enough to be true: That Elizabeth Taylor, Michael Jackson and Marlon Brando fled the Big Apple the day after September 11 and embarked on a combination Great Escape and Celebrity Road Trip - together!
Click here to read more.
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Arts Festival: Philly's Broad St. Becomes Paris







We had a great time throughout the day on Saturday at the Street Carnival that culminated the month-long Philadelphia International Festival of the Arts (PIFA).
Broads St. came alive as a Parisian street fair with art, whimsy, and live performances at every turn.
Gardens bloomed and fountains bubbled in the middle of the world's longest straight city street and the grand Avenue of the Arts teemed with delighted crowds.
It was a beautiful day and it marked the beginning of what we hope will be a great new spring tradition for Philadelphia.
There is one more day of PIFA activities on Sunday. Hurry on over!
C'est Magnifique!
All photos copyright 2011 by Dan Cirucci.
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Traymor's Broadway 'Spiderman' To Close

Slowly but surely it became inevitable.
Broadway's most expensive, wildest, must-stunt-ridden, most talked about musical seems to be mading with a huge thud.
The $70 million 'Spiderman: Turn Off The Dark' will be shuttered after its last performance this Sunday, April 17.
But wait, don't despair. The producers say this is not the end of Spiderman. The show will appear AGAIN.
In fact, they hope to re-open it after a three-week adjustment,
Still, this is the end of Julie Traymor's Spiderman. All of the director-choreographer's elements in the show will be gone. Many of the spectacular Traymor-induced stunts will also be gone.
Julie's not happy about that.
Here's what her spokesman said:
“Julie feels that the early reviews that published before the show was ready to open sadly do not reflect the show that is closing this weekend.  Most critics, in fact, will have never seen this latest version before they see one that greatly changes major threads of the story, choreography and songs.”
Anyway, some actors will be leaving and new ones will be arriving.
Playwright Glen Berger's new collaborator on the script will be Roberto Aguirre-Sacasa, a playwright and comic book author. Aguirre-Sacasa and Berger declined to be interviewed.
More than 245,000 people have seen “Spider-Man” since preview performances began on Nov. 28.
The new version debuts on May 12.
The saga continues . . . sorta.
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The Allure Of Lincoln Center At Night!




Scenes of Lincoln Center - Saturday, April 9, 2011.

I'm not a huge fan of Lincoln Center.
I prefer the coziness of Broadway theaters -- where you quickly rush in off the street and are enveloped by an old Broadway house where the roar of the crowds and the smell of the greasepaint still linger.
There's something magical about being in a Broadway theater that once hosted the likes of the Lunts, the Barrymores and Merman and Martin. For baseball fans, the equivalent would be Wrigley Field.
By contrast, Lincoln Center is somewhat architecturally intimidating -- those three big boxes sitting on a vast plaza. You almost don't know where to turn first.
But even I must admit that there's something beguiling about Lincoln Center at night -- something remarkably seductive.The whole enclave takes on a new persona. The setting sun on the plaza. The lights growing brighter. The fountain. The shimmering glass and classic arches. The people scurrying about.
It's irresistible!
Photos copyright 2011 by Dan Cirucci.
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