Showing posts with label African-Americans. Show all posts
Showing posts with label African-Americans. Show all posts

Obama Presides Over End Of Black Middle Class?

He's the first African-American president but his legacy may be that he presided over the destruction of the Black middle class.
That's the gist of a story in the Chicago Sun-Times. Here's an excerpt:

Millions of Americans endured financial calamities in the recession. But for many in the black community, job loss has knocked them out of the middle class and back into poverty. And some experts warn of a historic reversal of hard-won economic gains that took black people decades to achieve.
“History is going to say the black middle class was decimated” over the past few years, said Maya Wiley, director of the Center for Social Inclusion.
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A Golden Oldie -- Still Worth Watching!


In his book "Capitalism and Freedom" (1962) Milton Friedman (1912-2006) advocated minimizing the role of government in a free market as a means of creating political and social freedom.
An excerpt from an interview with Phil Donahue in 1979.
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When A Racist Isn't A Racist

Great commentary at Fox News from Bernard Goldberg. Here's an excerpt:
Let’s say a white guy goes on television, puts on an exaggerated "Amos ‘n Andy" “black voice” and proceeds to make fun of a black man whose politics the white guy doesn’t like. Actually, let’s say he goes beyond merely making fun of the black man. Let’s say he tries to make the black man sound downright stupid. Does that make the white guy a racist?
The correct answer is … it depends.
If the white guy is Rush Limbaugh and the black man is Barack Obama. Then of course the white guy is a racist – according to liberals.
But if the white guy is Jon Stewart and the black man is Herman Cain, the conservative businessman seeking the Republican nomination for president, well, then, that’s another story.
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A Musical Talent Worthy Of Recognition

Did I mention how much I like Darius Rucker?
Rucker first gained fame as the lead singer and rhythym huitarist of the rock band Hootie & the Blowfish, which he founded in 1986 at the University of South Carolina along with Dean Felber, Mark Bryam and Jim "Soni" Sonefeld The band released five studio albums with him as a member, and charted six top 40 hits on the Billboard Hot 100. Rucker co-wrote the majority of the band's songs with the other three members.
But after releasing a solo R & B album Rucker signed with Capitol Nashville and re-emerged as a country singer. And he's never lookes back.
His album Learn To Live scored big time with the single Don't Think I Don't Think About In 2009 Rucker became the first African-American to win the Best New Artist Award from the Country Music Association.
Right now I'm listening to Rucker's second album, Charleston, South Carolina 1966. It's beautiful. He has wonderful voice -- superb inflection and timing. I particularly like the song Southern State of Mind. It sums up everything about  the South that's good and decent -- friendliness, honest values, a sense of place and purpose, a distinct identity.
It's fitting that we're reflecting on all this while we're here in South Carolina. To put it quite simply, the sweetness of the South is intoxicating.
Darius Rucker was born and raised in Charleston, South Carolina, where his family history goes back generations. His single mother, Carolyn, who was a nurse, raised him with his five siblings: three sisters and two brothers. According to Rucker, his father was "never around," and Rucker only saw him before church on Sundays. His father was in a gospel band called The Rolling Stones. Rucker has said that he had a "typical Southern, African-American upbringing." His family attended church every Sunday and was economically poor, and at one point, his mother, her two sisters, his grandmother and 14 children were all living in a three-bedroom home.  Even so, he says that he looks back on his childhood "with very fond memories."
Here's what Rucker said in 2008: "You see a lot of people doing a one-off, saying, 'This is my country record.' But this is a career I'm trying to build. The people that say that they don't get it, I'll let the music speak for itself. I plan to do a lot of country records."
Darius Rucker doesn't have to convince me or anyone else that he's a great singer, a genuine artist in song and a real honest-to-goodness member of the country music family. Rucker proves that talent, hard work and determination still count for something. Yes, his music does speak for itself.
But don't take my word for it. Just remember that Frank Sinatra asked Rucker to sing at his 80th birthday party. Ole Blue Eyes knew talent when he saw (and heard) it.
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Romney On Job Numbers: Obama Has Failed

Today, Mitt Romney released the following statement on May’s unemployment numbers:
“Today’s unemployment numbers show that we are going backwards, and that is the wrong direction for America. President Obama’s policies made the recession worse and as a result more people are out of work. These unemployment numbers should not be viewed as just statistics – these are real families facing significant economic peril because President Obama has failed to pull us out of this economic downturn. Americans deserve a president who will make job creation his number one priority.”
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NJ First Lady Marks Black History Month

 
New Jersey's First Lady Mary Pat Christie today unveiled the New Jersey born artist Jacob Lawrence’s famous “Clown” painting during a ceremony at Drumthwacket celebrating Black History Month.  The artwork, which is on loan from the Newark Museum, will be exhibited at the Governor’s Mansion for one year.
 
 “I’m so proud to be able to showcase the cultural and creative diversity of New Jersey through the talents of homegrown artists like the renowned Jacob Lawrence,” said Mrs. Christie.  “My thanks to the Newark Museum for enabling us to share this remarkable piece of art and our Jersey Pride with all those who visit Drumthwacket.”
 
Born in Atlantic City, Jacob Lawrence settled in Harlem where he studied art as a teenager. His instructor, the painter Charles Alston, recognized Lawrence’s talents early on and as a result Lawrence was able to further work with his mentor in the government supported Works Progress Administration (WPA), which employed artists to create public works. It was there where he developed a unique method of detailing the African American experience in a multi-panel series format and portraying images from his community. 
 
“Clown,” which he painted in 1963, is part of the series of colorful prints he began producing in the early 60’s. This particular painting is based on Lawrence’s childhood memories of performers from Harlem theaters such as the legendary Apollo and is a brightly colored tempera on masonite panel that depicts a vaudeville clown.
 
Lawrence created many other paintings during his lifetime including Harriet Tubman (1939–40) and Migration (1941). He also designed a mosaic mural that was installed in New York’s subway system in 2001.
 
The Drumthwacket Foundation has an active art loan program in partnership with many New Jersey museums. The program provides the opportunity to feature the works of New Jersey artists and New Jersey themed works of art to the public at the Governor’s Mansion.
 
For more infromation: www.nj.gov/governor/
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Video: Today's Reagan Tribute Remarks


Sen. Ron Johnson's tribute to President Reagan
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