Showing posts with label Manhattan. Show all posts
Showing posts with label Manhattan. Show all posts

Eating Beccare-Style At NYC's Becco

The name Becco is derived from the Italian verb, beccare, which means to peck, nibble, or savor something in a discriminating way. Renowned TV chef and author Lidia Bastianich and her son, Joe, opened Becco in 1993 and ever since then the restaurant in New York's theatre district on restaurant row (West 46th St.) has been hugely successful.
You're well advised to make reservations for a table at Becco up to one month in advance.
Inside the restaurant you'll find a narrow bar alongside dining tables and a series of  interconnected rooms than join in a sunny, airy larger area with skylights. Personally, we liked this larger, brighter section and that's where we sat.
We can kindly term the seating at Becco cozy -- and that means that you will be seated VERY close to other guests. In fact, if you are seated at a table for two you will be probably be close enough to chat with the other guest (if you're so inclined) and when the waiter takes their order you'll almost think he's talking to you.
We began with the caesar salad which was appropriately warm and tangy.
One of  Becco's specialties is the endless trio pasta plate. A server will offer you each of three pastas and dish them out tableside from a large serving plate. Be sure of this: You're not at the Olive Garden. These pastas are each lovingly prepared, carefully served and individually savored. And the server will be back to offer you more!
The bowtie pasta in red sauce was zesty and unique. The fettuccine with just a bit of crab meat and in a clear sauce was light and easy on the palate. And the ravioli with swiss chard in a creamier sauce proved to be full and distinctive.
The swordfish was grilled and served with fresh corn, mushrooms and tiny tomatoes. Delicious! The traditional veal pramgiania was a huge veal chop (still on the bone) with fresh mozzarella  and an inspired, reasonably thick, red sauce. I must say, the veal was wonderfully tender and the mozzarella was dreamy.
The eating can be hearty and the portions tend to be large here. The executive chef, William Gallagher has worked side by side with Joe and Lidia Bastianich, creating one of the most value packed and admired menus in New York City. There's plenty to choose from and (by Manhattan standards) you won't find yourself dropping a ton of money here, if you don't want to.
But you will become familiar with the other guests and you're well-advised to arrive hungry. There's a lively hustle and bustle about the place and it can become quite noisy when it's operating at full tilt, which is almost always the case. We also found our waiter to be somewhat bellowing and a bit dramatic (well, it IS the theater district). More specials are offered (verbally) than you can possibly remember. And on top of all that. service captains pace back and forth throughout, endlessly checking on everything.
But the food is good, the menu is extensive, the location is wonderfully convenient, the tariff is reasonable -- you can't always have everything, right?

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A VERY Special 'Thank You!'

Weather emergencies fray everyone's nerves.
And dealing with the public in such situations isn't easy.
That's why we want to send a special "THANK YOU!" to Herschel Waxman Senior Vice President of the Nederalnder Organization on Broadway.
Herschel was so kind in hearing us out and allowing us to quickly switch our tickets for Catch Me If You Can from Saturday night to Friday night. As it turned out, all Saturday and Sunday performances for the show were cancelled but Herschel didn't know that at the time as the decision had not yet been made. He was kind, gracious, funny and wonderfully accommodating. And on top of all that, the show was great!
We've long admired the Nederlander Group which operates the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Neil Simon, Palace and Richard Rodgers Theaters on The Great White Way. Now we know why they're the best.
We'll say it again: New Yorkers are some of the nicest people, anywhere.
Thanks, Herschel!
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The Last Time 'Irene' Hit The Great White Way

They call it The Great White Way.
Not because it's white. They call it that because it's so full of light -- so much artificial light from all the mega-watt signage and all the theater marquees, that even at night, it seems like daytime.
It's Times Square, New York -- Broadway. It always looks that way.
But not tonight.
Tonight Broadway is closed. It's shuttered. It's dark. On Broadway's busiest day (and night) of the week there isn't a single curtain going up.
Because Broadway's sealed tight awaiting the wallop of Irene.
But this is hardly the first time Irene has ever appeared on Broadway.
In fact, Irene first appeared on Broadway in 1919 as a musical. It ran for 675 performances, made a star of Edith Day and became the longest running musical up to that time.
Irene returned to Broadway for a revival in 1923 and was even turned into a movie -- twice.
But then Irene disappeared from Broadway for nearly half a century.
The "new" Irene opened the Minskoff  Theater on Broadway in 1973 with a star-studded cast led by Debbie Reynolds and including Monte Markham, Patsy Kelly and George S. Irving. The New York Times critic Clive Barnes described the show as "raucous" and added that Irene was "the best 1919 musical in town." This time around, Irene ran for 594 performances.
The show won only one Tony Award -- George S. Irving for best featured actor in a musical. Irving was a veteran Broadway comic and a favorite.
Irene was a fluffy, silly show (though it featured some great songs) and never really became the darling of Broadway's elites. Though it featured Debbie Reynolds it became known as a mere "star vehicle" as she was considered more Hollywood than Broadway. The show never became a boffo hit.

Now Irene is back -- for revenge!Here's a synopsis of the story:
Irene O'Dare is a humble but ambitious, hard-working Irish girl from West Side Manhattan, who runs a little music store with her widowed mother. Irene is sent to tune a piano for young tycoon Donald Marshall III, a Long Island society gentleman, and they promptly fall in love, each captivated by how different the other is from their usual friends.
Donald's ne'er-do-well cousin Ozzie wants help to jump start a fashion business to be run by his friend, "Madame Lucy", a flamboyant male artiste. So Irene and her pretty best friends, Helen McFudd and Jane Burke, are recruited to model Madame Lucy's gowns, and Donald provides financing. Irene's mother and Donald's mother do not see eye-to-eye at first but grow to be friends.
Irene poses as a society girl who convinces everyone to shop at Madame Lucy's, but she becomes angry with Donald when he asks her to continue the ruse.
He finally relents, her true identity is revealed, and he sings "You made me love you."
But this time around, Irene doesn't care if she's loved or not.


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Bloomberg Insists: NO Clergy At 9/11 Commemoration

New York Mayor Michael (The Imperious One) Bloomberg insists there be NO clergy at the event in lower Manhattan commemorating the tenth anniversary of September 11.
As you  might expect, he's come in for a lot of criticism over this. But he's not backing down.
It turns out that keeping this man in office is looking more and more like a dreadful mistake. As he has assumed more power he has become increasingly dictatorial. It's scary.
Here's an excerpt from a Fox News story:
New York City Mayor Michael Bloomberg will not reconsider his decision to exclude clergy from the ceremony marking 10 years since the Sept. 11 attacks, a spokesman said Friday.
The statement comes despite increased pressure from religious and conservative leaders who say that even though the mayor has not allowed clergy at other services, he should make an exception this time.
Tony Perkins, president of the Family Research Council, said Americans "turned to God for solace" after the 2001 attacks, and clergy were intimately involved in helping the nation heal. 
"Unfortunately, New York City Mayor Michael Bloomberg would have us look the other way," Perkins said in a statement.
 Click here to read the whole story.
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Christie, Cuomo Permit Limited Toll, Fare Hikes

New Jersey Governor Chris Christie and New York Governor Andrew Cuomo have issued a joint letter announcing that they have agreed to allow the Port Authority of New York and New Jersey to raise bridge fares and tolls -- but not by as much as the Port Authority wanted and not as quickly as the Authority had hoped.
Also, the two Governors say that the increases (set to begin this September) will only be permitted once the commissioners of the Authority immediately approve and commence a comprehensive audit of the Authority. The Governors say this audit will be a "condition for not blocking the toll hike." The Governor's letter states: "reports of cost overruns, excessive overtime, and exorbitant spending must stop immediately."
Under the Governor's agreement, the first-year toll increase will be reduced from the Authority's proposed $4.00 to $1.50. And thr proposed $6.00 increase over four years will be reduced to $4.50 over five years.
Further details:
Tolls on cars using EZ-pass will jump $1.50 in September 2011 and then 75 cents in December of each year from 2012 - 2015.
Tolls on cars paying with cash will have the same increase but will be subject to an additional $2.00 penalty (rounded off to the nearest whole dollar).
Fares on PATH trains will increase 25 cents a year for four years.
Tolls on trucks will also rise accordingly.

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Contents Of Elaine's For Sale -- ALL Of It

Now you can buy a piece of the legendary New York celebrity restaurant, Elaine's.
Everything from the now-shuttered upper east side restaurant as well as the items from owner Elaine Kauffman's co-op will be auctioned off by the auction house of Dyle New York.
Elaine passed away last December 3 of complications from emphysema. Earlier this year the restaurant was shuttered.
There are many notable items up for auction including art work by Andy Warhol and David Hockney, first edition signed copies of books by noted authors, posters that adorned the walls of Elaine's and Elaine's co-op  the papier-mâché carousel horse that was in the window of the restaurant for many years, copper pots from the kitchen and the vintage cash register from behind the bar.
Also up for sale will be the prized table number one -- the table (and chairs) that Elaine reserved for her most important guests.
For more information go to Doyle New York.
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Naked Woman Video: On NYC Subway Car


It's been very hot in New York so this lady decided to travel around in the subway bottomless.
And being numb to almost everything, New Yorkers just turned the other way, looked the other way or sat somewhere else on the subway car.
But it appears as if at least one person did object and the offender decided to (mercifully) pull her pants up after all.
If you live long enough you eventually see everything.
So, be forewarned: You never know what you're gonna find when you take the subway in New York.
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Video: If You Missed This, Here's A Second Chance


From the Tony Awards 2011 (aired Sunday evening) here are  Hugh Jackman and Neil Patrick Harris as Dueling Hosts.....Among the songs in the "Dueling Duet" were "Anything You Can Do," from Annie Get Your Gun; "A Boy Like That / I Have A Love," from West Side Story; "Make 'Em Laugh," from Singin' In the Rain; "I Hope I Get It," from A Chorus Line; "Don't Rain on My Parade," from Funny Girl, "You're the Top," from Anything Goes; and "Let Me Entertain You," from Gypsy. "How To Succeed" "from How To Succeed In Business Without Really Trying.
If you missed the show, you missed a great evening on Broadway. And this was one of the best moments in the show.
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Groovy 'Shake Shack' Headed To Center City Philly

Shake Shack, the Manhattan sensation, is headed to center-city Philadelphia.
But cool your heels, the burger and shake master won;t hit town until the second half of next year.
Shake Shack will land above Rittenhouse Square at 2000 Sansom Street.
Restaurateur Danny Meyer (he of the famed Union Square Cafe) says he’s thrilled to add his “voice to the city’s vibrant culinary dialogue.” Philadelphia’s Shake shack will join six New York locations as well as branches in Miami, Washington D.C. Dubai and Kuwait City (what an eclectic list!)
Shake Shack features famous burgers, hot dogs, thick creamy shakes and frozen custard. And, the Philadelphia location is expected to offer beer and wine as well. So, if you're so inclined, you can have a beer with your frozen custard (aka soft serve).
The 2000 block of Sansom is already a VERY HIP corridor but it's about to become a lot more trendy and a lot more crowded!
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Complete List of 2011 Tony Award Winners

Here is the complete list of winners from last night's outstanding presentation of Broadway's 2011 Tony Awards presented by the American Theatre Wing:
Best Play: "War Horse."
Best Musical: "The Book of Mormon."
Best Book of a Musical: Trey Parker, Robert Lopez, Matt Stone, "The Book of Mormon."
Best Original Score (Music and/or Lyrics) Written for the Theatre: Trey Parker, Robert Lopez, Matt Stone, "The Book of Mormon."
Best Revival of a Play: "The Normal Heart."
Best Revival of a Musical: "Anything Goes."
Best Performance by an Actor in a Leading Role in a Play: Mark Rylance, "Jerusalem."
Best Performance by an Actress in Leading Role in a Play: Frances McDormand, "Good People."
Best Performance by an Actor in a Leading Role in a Musical: Norbert Leo Butz "Catch Me If You Can."
Best Performance by an Actress in a Leading Role in a Musical: Sutton Foster, "Anything Goes."
Best Performance by an Actor in a Featured Role in a Play: John Benjamin Hickey, "The Normal Heart."
Best Performance by an Actress in a Featured Role in a Play: Ellen Barkin, "The Normal Heart."
Best Performance by an Actor in a Featured Role in a Musical: John Larroquette, "How to Succeed in Business Without Really Trying."
Best Performance by an Actress in a Featured Role in a Musical: Nikki M. James, "The Book of Mormon."
Best Direction of a Play: Marianne Elliott and Tom Morris, "War Horse."
Best Direction of a Musical: Casey Nicholaw and Trey Parker, "The Book of Mormon."
Best Choreography: Kathleen Marshall, "Anything Goes."
Best Orchestrations: Larry Hochman and Stephen Oremus, "The Book of Mormon."
Best Scenic Design of a Play: Rae Smith, "War Horse."
Best Scenic Design of a Musical: Scott Pask, "The Book of Mormon"
Best Costume Design of a Play: Desmond Heeley, "The Importance of Being Earnest."
Best Costume Design of a Musical: Tim Chappel and Lizzy Gardiner, "Priscilla Queen of the Desert."
Best Lighting Design of a Play: Paule Constable, "War Horse."
Best Lighting Design of a Musical: Brian MacDevitt, "The Book of Mormon."
Best Sound Design of a Play: Christopher Shutt, "War Horse."
Best Sound Design of a Musical: Brian Ronan, "The Book of Mormon."
___
Special Tony Award for Lifetime Achievement in the Theatre: Athol Fugard, Philip J. Smith.
Regional Theatre Tony Award: Lookingglass Theatre Company (Chicago)
Isabelle Stevenson Award: Eve Ensler.
Special Tony Award: Handspring Puppet Company.
Tony Honors for Excellence in the Theatre: William Berloni, The Drama Book Shop, Sharon Jensen and Alliance for Inclusion in the Arts
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If It's Spring, Hurry Back To The Boathouse

The view from The Boathouse in Central Park.
The Boathouse in Central Park is still our favorite places to dine as we watch the water shimmering in the sun. And you never know who's going to show up to enjoy this marvelous spot. We've seen notables such as Kevin Bacon and the artist, Christo at The Boathouse. But go for the food and the seductive ambience, and hope for the celebrities.
Yesterday, our party of four  enjoyed the most glorious eggs benedict one can imagine as well as chicken paillard  and steak and eggs (and the steak was filet mignon).
BTW: The Boathouse is open to the sun and the lake though you're still under cover in a stately enclosure featuring grand columns and a classic, breezy atmosphere. If there is a better combination of cuisine and view in Manhattan, we cannot imagine where it is.
Indeed, this is "alfresco" dining at its finest!
Photo copyright 2011 by Dan Cirucci.
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The Haunted, Provocative Work Of A Daring Designer

Alexander McQueen.
The name of the fashion designer himself brings to mind thoughts of both ethereal and haunted beauty -- a mix of danger and romanticism, the beautiful and the bizarre, the natural and the unnatural world.
It was McQueen himself who said:  “You’ve got to know the rules to break them. That’s what I’m here for, to demolish the rules but to keep the tradition.”

And, if nothing else McQueen was a notorious rule-breaker.
He was also somewhat of an exhibitionist, a defiant showman and a daring artist.
Yesterday we viewed the big, bold (and sometimes very dark) exhibition of McQueen's creations entitled Savage Beauty at New York's Metropolitan Museum of Art.
Lest you thing this show is merely a collection of mannequins decked out in McQueen's clothes, promptly disabuse yourself of that notion. This is a light, sound and visual showcase -- a feast of moods, music, texture and environments; an exhibition that mixes history, heritage and hauntings and invites you to let your imagination run free along with the late designer.
And, as you might imagine this show is as much about death as it is about life.
The exhibition, organized by The Met's Costume Institute, celebrates Alexander McQueen’s extraordinary contributions to fashion.
From his Central Saint Martins postgraduate collection of 1992 to his final runway presentation, which took place after his death in February 2010, McQueen challenged and expanded the understanding of fashion beyond utility to a conceptual expression of culture, politics, and identity. His iconic designs constitute the work of an artist whose medium of expression was fashion.
The exhibition features approximately 100 ensembles and 70 accessories from McQueen’s prolific nineteen-year career. Drawn primarily from the Alexander McQueen Archive in London, with some pieces from the Givenchy Archive in Paris as well as private collections, signature designs including the “bumster” trouser, the kimono jacket, and the three-point “origami” frock coat are on view.
McQueen’s fashions often referenced the exaggerated silhouettes of the 1860s, 1880s, 1890s, and 1950s, but his technical ingenuity always imbued his designs with an innovative sensibility that kept him at the vanguard.
I must admit that this is one of the most unusual (and sometimes unsettling) exhibitions of its type I've ever seen, due in part to the sexual and sado-masochistic subtext in some of McQueen's work. Constriction seems to play a strong role in his approach to fashion.
And yet, there are softer, even more elegant pieces (largely influenced by Givenchy) and always expert tailoring owing to McQueen's own training and background.
Once again, McQueen himself expressed it best: “People find my things sometimes aggressive. But I don’t see it as aggressive. I see it as romantic, dealing with a dark side of personality.”
The struggle between life and death that seems to have defined much of McQueen's work ended  in  when he committed suicide just shy of his 41st birthday.
The show is drawing large crowds. It runs through August 7.
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Could These Be The Best Burgers Ever?

The handwritten sign telling you how to order your burgers and fries at Manhattan's quirky Burger Joint.

It's called The Burger Joint.
And it's an understatement to say that it's aptly named. In fact, calling it a "joint" may be too kind.
If you don't know exactly where it is, you'll never, ever find it -- even though it's in one of the choicest neighborhoods imaginable.
This place is almost literally a hole in the wall. It's a spare box with no windows and drab wood paneling with some sports photos, old movie posters and graffiti (where people have signed their names and added comments) on the walls. There's an open kitchen and a few faux-leather booths along with simple tables and chairs and dull, dingy lights. Orders are taken quickly and strung from a flimsy clothes line. You name will be called when your order is ready and you're well-advised to be prompt. To make it simple, order your hamburger or cheeseburger with "the works."
Everything is tight and cramped and no one lingers since it's always crowded and the booths are hovered over shamelessly by those who are waiting to sit down.
But they're all here for the food. And the food is great.
The burgers are think, juicy, fresh and wonderful. And the fries (though they do not seem to be fresh-cut) are almost as good. New York magazine has placed these burgers among the city's Top Ten. Others have called it THE best.
Burgers are wrapped in paper. Fries are tossed into small brown paper bags that instantly sport grease stains. And you'd better know what you're ordering when you get to the counter or you'll have to go to the end of the line.
Hamburgers are $6.89. Cheeseburgers are $7.35. Fries are $3.67. Shakes are $5.05. That's pretty much the whole menu -- though you can also have a beer, a brownie, a whole pickle or a grilled cheese sandwich (I TOLD you it was quirky).
But where is it?
Believe it or not, it's in a swank hotel (Le Parker Meridien) at 119 W. 56th St, in Manhattan.
But, even after you get into the hotel, you've got to look for The Burger Joint to find it. It's behind a curtain and down a long, narrow, dark hallway. The only thing to identify the joint (no real signage) is a neon burger placed high at the end of the hallway. You'll probably see people waiting in line under th neon sign. That's it.
Go. Wait. Order. Eat. Enjoy. Leave.
And know that you've eaten a fantastic burger in the world's most exciting city.
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Video: Glow Of 'Manhattanhenge' Dazzles NYC!


Twice a year, the sunset lines up with New York City's street grid -- making for spectacular views. Neil deGrasse Tyson, director of the Hayden Planetarium in New York, identified the cosmic event over a decade ago and coined it Manhattanhenge.
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Famed NYC Eatery Elaine's To Shutter

This is no Elaine's without Elaine.
That's how one observer describes the demise of one of New York City's most fabled eateries since the death of owner and hostess Elaine Kauffman last December.
Though A-list regulars still showed up at Elaine's, it just wasn't the same. With the death of Elaine, "the fizz went out of the champagne," is how one customer described it.
For four decades the ever-present Elaine pampered her stellar guests who included famous literary lions, movie stars, media types and other celebs. And Elaine guarded the door to her Upper East Side haunt with a vigilance that could be ferocious. If you weren't a "name" personality, getting into Elaine's could be next to impossible. And even if you gained admittance, it was still harder to score a good table.
But come 4 a.m. next Friday (the end of Thursday's business day) there won't be any more tables at Elaine's because the place will close its doors for the last time.
Yes, there is a chance that some savior will step forward before then to try to save the place. But right now that's considered unlikely. Diane Becker, who inherited the business upon Elaine's death said she's ready to pack it in.

Finally, a comment on the demise of Elaine's left by a reader at the New York Times web site:
I have long marveled at the fact that liberals love to talk about equality. But they revere restaurants and clubs that pamper the elite and treat unknowns as trash.
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NO 'Victory Laps" On Sacred Ground

A Facebook friend writes:
Many of you may disagree, friends, but I think the 'celebration' planned for Ground Zero tomorrow is inappropriate and inconsiderate. The only 'events' I will ever attend related to the horrors of 9/11/2001 will be the somber services of prayer and remembrance. Civil comments are welcome, as always.
I totally agree.
There should be no "celebrations" and no "victory laps" on sacred ground. Not now. Not ever.
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Bush Declines Obama's 'Victory Lap' Invite

President George W. Bush will mark the 10th anniversary of 9/11 in September but he will not be going to the World Trade Center site in Manhattan with President Obama tomorrow.
Here's an excerpt from the story as reported by The Daily Beast and MSNBC:
Former President George W. Bush has declined President Obama’s invitation to jointly visit Ground Zero on Thursday. “President Bush will not be in attendance on Thursday,” his spokesman told The New York Times. “He appreciated the invite, but has chosen in his post-presidency to remain largely out of the spotlight. He continues to celebrate with Americans this important victory in the war on terror.”
Click here for the complete story.
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Prices Of Everything Goin UP, UP, UP!

Prices on just about everything are goin up, up, up.
And nowhere is this more true that in New York City.
The New York Post has been doing some price-based shopping and here's an excerpt on what they've discovered in The Big Apple:
The price is not right.In addition to skyrocketing rent and gas prices, New Yorkers are being nickel and dimed to death, shelling out 21 cents more for a box of Corn Flakes, 29 cents more for a six-pack of beer, and about a buck extra to go to the movies. It even costs more to treat a headache than it did in 2010.
Costs are creeping upward for everything from a coffee-cart cup of Joe to a carton of milk to a TV dinner.
Click here to read more. 

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Heralded West Side Eatery Falls Short

In the culinary world, anything with the name Daniel Boulud attached to it commands almost reverential devotion.
So it's no surprise that his casual dining spot, Bar Boulud on Manhattan's West Side near Lincoln Center attracts huge crowds of devotees.
Getting a reservation at this joint takes patience and persistence.
But we planned ahead and snagged a pre-theater reservation for our recent trip to the city and our visit to Lincoln Center for Stephen Sondheim's legendary musical, Company.
Bar Boloud is a long narrow space that sits next to a favorite eatery of ours, Fiorello's.
A curved wall arches into a ceiling that creates a tunnel-like environment. Booths line one side of the narrow space while a long bar takes up the other side. One wall is composed almost entirely of pebbles encased in a stern wire grid and the lighting is strategically designed to highlight the structure and surfaces. The kitchen appears to be in the basement as all food is brought up a rear flight of stairs.
We allowed ourselves plenty of time for dinner before the show and our reservation was promptly honored as we were hastily ushered to a booth about midway through the tunnel.
It was busy, very busy -- a spring Saturday evening in the city with numerous concerts and events scheduled at Lincoln Center.
No one at the restaurant (not the hostess nor the manager nor the waiter nor any of the servers) ever introduced himself or herself to us.
The waiter neither bothered to say "hello" nor to identify himself. He got right down to business and wanted to know what we were ordering.
Well, we wanted drinks first. And, we wanted to take our time.
The martinis can be described in two words: skimpy and ordinary.
The potato and spring garlic soup was thin and unremarkable.
The steak portion of the steak frittes was dry and the fries were uninspired. In fact, at our table for four not one person rated his or her entree (priced from $26 to $33) to be extraordinary in any way. These included both meat and fish dishes (beet salad, trout, white sausage).
If you look over the menu, everything sounds absolutely wonderful.
So, maybe we simply didn't make the right choices. But our waiter offered us absolutely no guidance and even disappeared for quite a stretch.
I will say that the chocolate dessert concoction (which we all shared) was rich and memorable.
Your tab here will add up quickly. In addition to the entree, soup or salad will run you anywhere from $11 to $17 and dessert will set you back $9 to $12. And I haven't included the adult beverages -- always more expensive in an environment such as this. Yes, there is a $42 three-course, pre-theater menu, but none of the three entrees there appealed to us.
OK, forget the dishes for a moment. In the end, it was the lack of hospitality that disappointed us the most.
Hey, we were in New York. We didn't necessarily expect everyone to be warm and fuzzy. But we know of some very busy diners that are friendlier than this place.
Sautez-le.
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Traymor's Broadway 'Spiderman' To Close

Slowly but surely it became inevitable.
Broadway's most expensive, wildest, must-stunt-ridden, most talked about musical seems to be mading with a huge thud.
The $70 million 'Spiderman: Turn Off The Dark' will be shuttered after its last performance this Sunday, April 17.
But wait, don't despair. The producers say this is not the end of Spiderman. The show will appear AGAIN.
In fact, they hope to re-open it after a three-week adjustment,
Still, this is the end of Julie Traymor's Spiderman. All of the director-choreographer's elements in the show will be gone. Many of the spectacular Traymor-induced stunts will also be gone.
Julie's not happy about that.
Here's what her spokesman said:
“Julie feels that the early reviews that published before the show was ready to open sadly do not reflect the show that is closing this weekend.  Most critics, in fact, will have never seen this latest version before they see one that greatly changes major threads of the story, choreography and songs.”
Anyway, some actors will be leaving and new ones will be arriving.
Playwright Glen Berger's new collaborator on the script will be Roberto Aguirre-Sacasa, a playwright and comic book author. Aguirre-Sacasa and Berger declined to be interviewed.
More than 245,000 people have seen “Spider-Man” since preview performances began on Nov. 28.
The new version debuts on May 12.
The saga continues . . . sorta.
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